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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, a key member of the innovative 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of synth-pop.

He subsequently founded the pioneering techno group The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball died calmly in his sleep at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up injure myself quite a bit," he commented in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and broke my wrist."

After contracting a lung infection and developing blood poisoning, he was put in an induced coma and stayed in the hospital for half a year.

However, he had been in "a great place emotionally" over the summer, as he worked on a new album with Almond, called the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," said the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an significant part of my existence and for the songs you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a band, the connection is very tight," he added.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who altered his given name from his birth name to David, alongside his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The pair were an distinctive combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a fascination with electronic instruments after watching Kraftwerk appear on a television program Tomorrow's World, and started to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular song of 1981, shifting 21 million copies worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's passing

Professional Journey

Success had its benefits. "I loved being able to afford my initial property, having money and travelling, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also caused challenges. "Newfound wealth allowed we could purchase newfound drugs to alleviate the monotony" of media interviews and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a valid cause, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also drifting apart, but they managed to produce a second memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

Following another break, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the large venue on 30 September, 2018.

Yet, they remained active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's upcoming release as a homage to the New York club scene they visited while recording their first two albums.

He noted that his period in hospital had shaped the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the noises in my head from those days.
"In parallel, it's about the times we had in the 1980s."

The final mixes were finished only days before Ball passed away. It is scheduled for release in the spring of 2026.

The writer

Christopher Mccarthy MD

Elena Vance is a financial analyst specializing in precious metals, with over a decade of experience in UK investment markets.

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